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Ed Jassik's Heart

by Jasper & the Rubber Policemen

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1.
Dress 02:01
You fell in love with a man who wasn't a man — you fell in love with a man …doubt people would understand. There wasn't a place they wouldn't stare and think erogenously and play with their hands Get that dress out of my dressing room I don't need to be tempted anymore Get that dress out of my dressing room I don't need to be thankful, I'm too full of fangs, tuneful and ringing, but never worth singing sing me to sleep, scruffy and deep, you grasp in the heap Get that dress out of my dressing room I don't need to be tempted anymore Get that dress out of my dressing room I don't need to be anything I'm not Do you believe? (Don't tempt me, you don't tempt me) Do you believe?
2.
Fox 03:13
She was somethin and I could see she wasn't one of the beauty queens, no but she was a fox The way she walked like she had it made she was young, she was unafraid and she was a fox She gave me up again and I, I let her go Well if she calls me up again, I guess I'll let her know But she never, no she never, she never did the twist Another toy and she's bent outta shape She wants a real boy and he's a, he's a real fake But he's a good man, a good man, He never felt a fist She's like a bottle of sweet perfume You crack her up and it clears the room (but someone comes along to clean it up) To turn you on, she just brush your arm A daddy's girl with her mother's charm and she was a fox She gave me up again and I, I let her go Well if she calls me up again, I guess I'll let her know But she never, no she never, she never did the twist Another toy and she's bent outta shape She wants a real boy and he's a, he's a real fake But he's a good man, a good man, She never felt a fist
3.
The morning is brisk. The small American flags that stand year-round in Ed Jassik's yard, not just Veterans Day, snap to attention. And inside his home, Ed Jassik, 80, is easygoing as a sunny Sunday afternoon, dressed in white socks, two crucifixes hanging on his wall. Four cords of wood have already been piled in the driveway And I got my own four chords, but I'm going to do it my way Ed thinks he might need two more. She was a Moynahan then. She was a waitress at the local bar. She didn't like him much then, but oh, how her sister insisted. Married 55 years, and he never understood how his oldest son became a Yankees fan at all — the kid was living in Brookline. Four cords of wood have already been piled in the driveway And I got my own four chords, but I'm going to do it my way Ed thinks he might need two more. Then that day, the landing barge sank and he thought, "I'm going to die here. I'm going to die. Welcome home." He opens his door, and wandering forward, his feet a Bulgarian march, Ed stands at ease. Examines his flags, resolving purely a true-blue Democrat heart, Ed sits on his knees. Then that day, the landing barge sank and he thought, "I'm going to die here. I'm going to die." Welcome home.
4.
This love affair was good while it lasted …every time it lasted and you were someone else when I came around before Well it could have been better, I've never been worse, I just need to know that it wasn't the first So when you're alone, dear, won't you keep this in mind: there never was and never will be a line — nothing to cross, no cross to bear, only the feeling of knowing that you've been there. I'm not just not myself I can't see you anymore. I could've been less, but they were asking me for more So tell me the truth: Did you sell your soul for free? You've got no check to cash, but then, that's taking it from me So fuck you all You don't understand I'm better than you'll ever be And I'm the greater man You're just delusional You'll take on the world You'll always be intelligent and always get the girl But somewhere deep down inside, you know it's true Or maybe just below the surface, you know I'm better than you Oh, believe it Just admit it You'll be better that way (You don't even know me, You don't even know)
5.
I am a bum. ...or maybe an artist. ...or maybe a yuppie, depending on how you look at it... and how you know me. Don't I know you? You're the barista in my favorite bar... café. And I'm nothing I wanna be, and I'm nothing you're gonna want from me, and I'm nothing that I'm supposed to be ...so, come on I couldn't stop. I had to say it: "Do you like cream in your coffee? cos I don't." And you couldn't see, but I would believe it if you had told me your hair was always blond like that. And I'm nothing I wanna be, and I'm nothing you're gonna want from me, and I'm nothing that I'm supposed to be, and isn't that fair, and isn't that great, and isn't that terribly self-aware? And isn't that great, and isn't that fair, and isn't that terribly self-aware? I'm terribly self-aware. (self-aware, i'm terribly self-aware......self...aware...) ...But listen, I really mean it. But listen, I really mean it... a ready impulse is waiting.
6.
It wasn't much of a fall Her arms were waiting for you, dear and when your eyes hit the ground, you came to. The moment wasn't a quake, it was more of an earthly metal chill Not a soul-reckoned doubt received you And as the heat of blanket radiators passes through her thighs She said, "it's only the fearful that would rise" It couldn't last Reveling in the space Familiar footing but foreign distances An undertow found you surface-grasping the brilliant dark that it was And while your gaze slipped, she slowly comforted You couldn't speak though her lips were guiding And as the heat of blanket radiators passes through her thighs She said, "it's only the fearful that would rise" It couldn't last
7.
Hazel 08:27
(Please, somebody help me Take me away from here Everybody needs a friend They used to call me Book They used to call me Hazel) You sip your morning coffee, you read your morning paper (sinners sinister nosing in the business section) Down at the office, you imagine the lovers in cheap disguise, cubicle cubists and lost arts of architecture Can't free yourself from it all Can't free your cell from the wall Lying across you, with a broken and battered and twisted eye, is a child who is lacking an invitation Spying the doorstep, you are lifted, elated, but suffering from a patient come down with "the speculation" Can't free yourself from it all Can't free your cell from the wall You gotta listen to me, man, you're a lover and the leader of a revolution! You gotta take it or leave it, this is your moment, your chance to pull the alarm You gotta listen to me, man, you're a fighter, not a runner from a real solution You know you might be alone, man, you gotta leave 'em to each other, gotta lead 'em from harm Everybody needs a friend Everybody needs a friend So if you've been failing, call, call me They used to call me Book They used to call me Hazel because you can read me (open and read) but you're never ever gonna decide who I am So if you don't know who you are, don't let the world decide for you. Just take your time
8.
There are things that you can never quite replace: A mother's sweet caress, your first and only lover's face You can leave them, but you can never take it back Take it back Take me back where I used to be This dream of cheap romance is of no use to me I need to be there where you can see me so you can wish me to a grave So you can be there to tell me that I don't belong So you can see it when I find out I was always wrong So you can be there to see me when I crack So you can tell me that I'm never gonna get it back So you can be there when I need you not to need me, but to need me to let it go And now that I realize the thing that was in your eyes, well, if I told you I never lied well, it's only 'cos I never tried Yes, I loved you, so you can never quite replace the pain that comes with that and the feeling that you ran the race Now tell me truly, is that something that you think that you can face?

credits

released December 7, 2019

Jasper – vocals, guitars, pianos, Hammond, synths, Dr. Rhythm Section, percussion, drum programming

The Rubber Policemen are:
Will Prapestis – bass, electric guitar, piano, backing vocals
Cory Grant – drums
Hugh Yamada – backing vocals, electric guitar
Ethan DePuy – backing vocals, piano
Mackenzie Chapman – backing vocals
Trevor Rock – electric guitar

Produced by Jay Mobley.
Recording engineered by Ethan DePuy, Jay Mobley, Phil Dumka, and Pete Weiss.
Recorded at East St, Northampton, MA; SUNY Fredonia (Fredonia, NY); Main St, Fredonia, NY; Josephine Ave, Somerville, MA; Windhover Studios (Niskayuna, NY); Jamspot (Somerville, MA); and Verdant (Athens, VT).
Mixed by Jay Mobley and Pete Weiss at Verdant Studio.
Mastered by Sarah Register.

Cover design by Jay Mobley. Cover photo by Geneviève Faivre.

All songs by Jasper.

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Jasper & the Rubber Policemen Boston, Massachusetts

Jasper's fever dream

New album "Ed Jassik's Heart" out on 12/7!

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